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              Nov 2023   
Editorial
Reflecting on the Hamas-Israel War:
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This issue of Phalanx, which has come after a long while because of the COVID Pandemic, is focused largely on AI but the Hamas-Israeli war has pushed AI to the periphery in the international attention. The editorial therefore looks at the war, reflects on what Hamas hoped to gain from it and the future of Palestine and Israel.
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Editorial
Film:
Portraying Science in Cinema
Oppenheimer (Christopher Nolan, 2023) and Dau (Ilya Khrzhanovsky, 2019)
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apologia
June 2007
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The web is not quite the democratic space it was expected to become; there is too much noise on it today, and a new e–zine must justify itself. Phalanx is intended as a platform for debate, and it presumes there will be interested readers and writers without its having to make itself heard above the tumult.
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It will not induce people to join its debates because there is too much inducement on the web, the general commotion being attributable to a throng of voices. Moreover, those joining debates need to have been persuaded about the importance of argument. Phalanx offers itself as a platform for reasoned debate and hopes that it will fulfill, if only in a small way, the democratic promise of the web.
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Phalanx as a Refereed Journal
August 2013
When Phalanx got going there was no intention on the part of its founders to make it a refereed journal largely for academics. It was intended to initiate argument and debate in the public space, a process in which anyone might join in. Phalanx attempted to make use of the democratic potential of the web to initiate debate and there is a strange paradox here because it is the web’s ‘democratic potential’ which makes it patently unsuitable for debate. By and large, debate on any subject, at one time, was initiated by ‘informed opinion’. A debate would be carried out through magazines and journals, which had to attain distinction themselves by addressing an ‘elite’ of some kind and gaining acceptance. At some point in history, the ability to persuade through reason was replaced by the capacity to market, fame by publicity and the provocation by the quest for endorsements. The web, today, seems to have begun the dissolution of ‘informed opinion’ because few people who read are called upon to do more than ‘like’ what they read or see. This being the case it seems necessary for Phalanx to retreat into ‘pre-democratic’ modes which, hopefully, still exist in the academia. The academia may remain the one place in which one would still need to demonstrate that one’s opinions are actually ‘informed’.
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While Phalanx is a refereed journal it is hardly intended only for academics. It is aware of the compulsions in the academia and emphasizes that debate and speculation are still its primary aims. The imaginativeness of the arguments, their plausibility and their interest (to an ideal public) is of more importance than the empirical evidence summoned to support them. Perhaps too much academic work is devoted to incremental ideas and Phalanx hopes to be more than incremental. Since ‘imaginative’ speculation is becoming impossible in the hard sciences, Phalanx expects to turn more towards the humanities and social sciences.

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Reviving Phalanx
April 2023
Phalanx has not been appearing ever since the COVID pandemic first broke out but with the situation easing and journal also being added to the UGC CARE list, reviving it has become a necessity from our point of view, although in a slightly different avatar. The journal will now have a separate section with a broad focus area and calls for papers will be sent out to the academic community prior every issue. But the emphasis on submitted papers to be lucid, original and capable of generating debate will remain. Alongside, of course, there will be plenty of place for other kinds of submissions outside the focus area. Secondly, Phalanx is adding another section for creative writing - meaning mainly short fiction and poetry and that would include translations from other languages into English. The overall intellectual thrust of the journal cannot be seriously altered but creative writing can still contribute to it. Still, it is proposed that not more than one piece of fiction and one or two poems will feature in each issue. We live in polarized times politically speaking but Phalanx will continue to stick to its intellectual neutrality as hitherto. Any viewpoint is welcome as long as it is disinterested, open-minded and argued out convincingly. Having said these few words we must add that the Editorial Board is being reconstituted, which, hopefully, will eventually also lead to it becoming true to its original promise of being a quarterly.

(ISSN No. 2320 –7698 assigned to Phalanx on 12th March 2013)

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Articles in this Issue:
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Phalanx AI, Allegory and the Cinematic Multiverse: Phalanx Phalanx Spacer An Insubstantial Pageant Faded: Reflections on the AI Generated Image in Hollywood:
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Phalanx Do Automated Models Dream of Universal Truths: Robert Bresson’s Transcendental Cinema in the Age of Generative Artificial Intelligence: Phalanx Phalanx Spacer Borges and Machine Translation: ‘Blue Tigers’:
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Phalanx Mimesis and the Relevance of the Artistic/Literary Tradition in India: Phalanx Phalanx Spacer Hindutva, Electoral Fortunes and a Vision for the Nation:
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